视频简介
描述几名不同背景的少女，她们在一次选美项目中成为好友，在开始时，她们各有自己的目标和理想，但当她们面对一个残酷的现实社会後，她们不惜抛开理想，与自己原有的意愿背道而驰，甚至不择手段舆昔日好友反目，目的只为爬上更高的位置，而最後却弄得一败涂地。但在她们的背後种种辛酸，谁又能够体会和理解？。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。They are in everything from computers to smartphones, from toasters to washing machines: Microprocessors are essential for so many consumer goods to function and now arguably underpin the world economy more than oil. When the pandemic hit it highlighted how much Western countries rely on the chip industry. Today Europe, America and China are involved in an intense commercial st...。
